Mission and History

The American Tapestry Alliance (ATA) is engaged in a wide range of educational, exhibition, outreach and promotional programs. Our programs serve the goals of our Mission Statement:

  • to promote an awareness of and appreciation for woven tapestries designed and woven by individual artists
  • to encourage and recognize superior quality tapestries
  • to encourage educational opportunities in the field of tapestry
  • to sponsor exhibitions of tapestries
  • to establish a network for tapestry weavers throughout the world
  • to educate the public about the history and techniques involved in tapestry making

History of ATA

Jim Brown and Hal Painter in 1968.

The American Tapestry Alliance developed from a friendship between two tapestry weavers, Hal Painter and Jim Brown. They had a common desire to promote and establish tapestry during a time when the art form was experiencing a revival. From their auspicious first meeting at Hal’s studio in 1968 where Jim was suddenly transformed from a potter to a weaver, to the 30,000 miles they traveled through the United States and Mexico to teach tapestry, to their eventual creation of an alliance in 1982 that would unite tapestry weavers, Hal and Jim broke the ground that current ATA leaders and members gratefully fill.

The goal was to unite tapestry weavers to promote awareness and appreciation of tapestry. While the ideas continue to be in great supply the need to tailor them to the available volunteer base is paramount to success.

The Ten-Year Journey

During the ten years that ensued, ATA flourished in its goals to teach, inspire, and provide tapestry with legitimacy and a place in the wider world of tapestry. Juried exhibits were launched which were documented in full-color catalogs. Slides were collected and workshops and lectures were given. For ten years Painter and Brown nurtured ATA until Hal Painter’s failing health and eventual death slowed the organization to a near halt. Picking up the pieces, a core of members set to work, perpetuating and adding to the work done by the founders.

ATA in the 1990′s

During the 1990s,  ATA’s membership grew to more than two hundred members. Traditions continued such as the American Tapestry Biennial Exhibition (ATB), which showcases the best contemporary tapestry has to offer.

ATA’s accomplishments during this decade included seminars and publications designed to promote tapestry. ATA also planned to take advantage of the internet in ways that could only be dreamed of at the time. The American Tapestry Alliance remained dedicated to its future while persevering in its seminal purpose: to give tapestry a name, a place, and a presence in the wider worlds of tapestry and art.

ATA in the 21st Century

Jim and Hal’s goal of connecting tapestry weavers was aided by the possibilities for communication through the Internet. ATA’s website, first created in 2002, is our hub of communication. The website features curated web exhibitions; educational articles; artist pages showcasing members’ work; and resources such as book lists, instructors, and workshop announcements. Most of the information on the website is available to the public not just members such as back issues of ATA’s digital publication, Tapestry Topics which is published three times a year.

Recognizing the need to promote the fine art of tapestry, ATA has been instrumental in creating engaging exhibitions that highlight and feature artists from around the world. Most exhibitions are accompanied by a color full-color exhibition catalog and sent to curators, gallerists, collectors, and exhibiting artists. In 2002,  the American Tapestry Biennial Exhibition traveled to British Columbia along with an exhibition of Hungarian tapestries, Karpit. It was the first international destination for this traveling exhibition. The collaboration with our Canadian neighbors underscored ATA’s inclusive intentions as an alliance of contemporary tapestry weavers around the world. Historically, there has been a bias against small tapestries stemming from the attitude that only large tapestries were significant. As a counterpoint, ATA organized the Small Tapestry International, which spotlights small formal tapestries from around the world. 

As an effort to offer opportunities for all tapestry weavers, in 1996, ATA began sponsoring the unjuried small format exhibit (now known as Tiny But Mighty) held in conjunction with Convergence every two years. These shows are open to all tapestry weavers and each participant receives a catalog. The tapestries are no larger than 10″ x 10″. Beginners and professionals alike submit over two hundred tapestries, resulting in a very exciting exhibit.

In 2024, ATA will feature a new exhibition, Beyond: Tapestry Expanded which is ATA’s first curated exhibition that recognizes artists incorporating multi-media approaches within woven structures. Informed by tapestry weaving processes, work in this exhibition seeks to support artists exploring materiality, processes such as weaving improvisationally, working off-loom, and moving their work off of the wall and out into space. The exhibition also seeks to represent a diverse array of artists working within and among varied cultural identities. 

ATA has continued to develop programs to help people learn about and appreciate tapestry: Mentoring Program, Online Educational Articles, and ATA’s social media presence. Our workshops and Members Retreats have attracted professional teachers from all over the world to expand the interchange of ideas and to help weavers of all proficiency levels improve their skills. We also sponsor lectures and workshops in connection with our juried exhibits.

ATA has greatly expanded its Awards programming to include: the ATA Painter/Brown Scholarship for Tapestry Study; Emerge – membership grants for new and emerging weavers; the International Student Award; Teitelbaum Awards for exhibitions, and, of course, ATA’s Award for Excellence.

In confirmation of the excellence of our programming, ATA received two family trusts, the Ellis Family Trust in 2009 and the Teitelbaum Family Trust in 2008. The interest from the Teitelbaum Trust funds awards for artistic excellence for both American Tapestry Biennial and Small Tapestry International. These two trusts form an Endowment fund to support future projects for ATA. In 2012, we also received our first named donation, the Christine Laffer Curatorial program for online exhibits. ATA continues to receive other donations for specific projects.

ATA’s growing membership and increased programming prompted hiring a part-time paid staff to help the Board keep track of and to guide a number of committees and volunteers working in any given year. Because ATA is primarily a virtual organization it is critical to have a staff person to provide continuity when the Board changes its membership. 

As of 2021, ATA has over 1,000 members and continues to develop new programs, fine-tune existing ones, and meet the needs of our members.

We hope you will join ATA as we continue to create opportunities for tapestry weavers to learn, exhibit, network, and promote the field of contemporary hand-woven tapestry.

Organizational Documents


Click here to download a pdf of the ATA’s bylaws.

ATA’s Five-Year Plan

Find a copy of ATA’s current 5-year plan here.