… When I realized that good design wasn’t just about imagery, but also about integrating the outer physical dimensions of the piece along with imagery, my work became more coherent and balanced. For me, the creative process begins by determining the dimensions of a new piece using a golden section rectangle, a square or one of the root rectangles. Every design decision I make is influenced by these outer dimensions – be they color movement, hatch marks or soumak lines.  As a result, all elements in the tapestry work together in an inter-related conversation.  The final result is a tapestry that is self-contained and refined, while being visually stimulating.

below: Joyce Hayes, Conciliation – Change, 10 3/8" x 13 1/4", 2008. Photograph by Cecil Hayes

below: Joyce Hayes, Conciliation – Fall, Photograph by Cecil Hayes

“PROPORTION refers to relationships of size, amount, and degree.” These elements relate back to the whole. In my portraits I attempt to interject an edgy/emotional aspect using these elements to underscore the personality of the individual I am portraying. I use proportion for emphasis, most obviously, with larger-than-life size. (We relate all we perceive back to our own physical size.) Using a large scale creates visual weight, which is perceived closer and more important than using a smaller scale. I have also used these relationships in my use of value, color, line, texture, and density.

below: Barbara Burns, Blue Frida II, 20" x 10", 2007, wool, metallic, cotton warp, 8 epi

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