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| ©2009 American Tapestry Alliance | Winter 2009 Vol 35 No 4 |
A Quarterly Review of Tapestry Art Today |
Note: Tapestry Topics Online has been trimmed down in order to present color images with selected excerpts from the printed version, available to members by mail. For the full articles refer to the printed Winter 2009 issue. |
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This question of what inspires me goes to the very core of my beliefs about the essence of tapestry weaving and takes me back to my roots in the Bauhaus tradition. I would like to offer my personal interpretation of the key elements as they relate to my work. For our diploma project, we were required to choose a motif from nature and apply its design to a number of art forms. This is a quintessential Bauhaus way of seeing the world around us because it forced us to observe how we had to change the motif to adapt to the chosen art medium, all while keeping it intact and staying true to the fundamentals of color and form. |
below: Sylvia Heyden, Bauhaus ceramic bowl, undated |

below: Silvia Heyden, Passacaglia, 8” x 21”, 1978 |
below: Silvia Heyden, Plumage, 36” x 48”, 1994 |

below: Silvia Heyden, Banana Plantation, 60” x 120” |

below: Silvia Heyden, Drumroll, 60” x 60”, 1990 |

Tapestry Topics Online
Winter 2009 Vol 35 No 4 A Quarterly Review of Tapestry Art Today |